Foreword; Mary Lou Emery Introduction; Mary Wilson and Kerry L. Johnson PART I: ALTERNATIVES AND ALTERITIES: MARKET, TIME, LANGUAGE 1. Menu, Memento, Souvenir: Suffering and Social Imagination in Good Morning, Midnight ; Andrea Zemgulys 2. Clockwork Women: Temporality and Form in Jean Rhys\'s Interwar Novels; Nicole Flynn 3. Language and Belonging in Jean Rhys\'s Voyage in the Dark ; Ania Spyra PART II: BEING AND BELIEVING: JUDEO-CHRISTIAN INFLUENCES AND IDENTITIES 4. Religion and Rhys; Steve Pinkerton 5. \"No Pride, No Name, No Face, No Country\": Jewishness and National Identity in Good Morning, Midnight; Jess Issacharoff PART III: THE LOCATION OF IDENTITY: WRITING SPACE AND PLACE 6. The Country and the City in Jean Rhys\'s Voyage in the Dark ; Regina Martin 7. \'...that misty zone which divides life from death\': The Concept of the Zombi in Jean Rhys\'s Short Fiction; Melanie Otto 8. Reclaiming the Left Bank: Jean Rhys\'s \'Topography\' in Left Bank and Quartet ; David Armstrong PART IV: PLEASURE, POWER, HAPPINESS 9.The Trouble with \'Victim\': Triangulated Masochism in Jean Rhys\'s Quartet ; Jennifer Mitchell 10. The Good Life Will Start Again: Rest, Return, and Remainder in Good Morning, Midnigh t; Andrew Kalaidjian 11. The Un-happy Short Story Cycle: Jean Rhys\'s Sleep it off, Lady ; Paul Ardoin